photography exposure guide

July 1, 2011 5:37 am | Uncategorized

photography exposure guide
Would an 18-55mm lens be okay to start out with?

I’m considering the pentax k-x which has 18-55mm DA-L lens kit (What does DA-L mean?)

I was checking the focal length data on some of my photos on flickr (since it tells me more than my P&S camera will) and most of them say 6.3mm. Some of the zoomed or macro ones say 7.2 or 7.3mm. One image says 18.6mm.

So if I got the oentax k-x and tried to use the lens it came with, would I even be able to take any photos? Or would I just get really frustrated with the focus? What kind of images could I take with an 18-55mm lens. Please don’t say this is a stupid question, I’m a newbie, haha. I’ve been reading a digital photography guide, but the things about exposure are more about point and shoots. If you know a good website or could even take the time to explain focal lengths/ depth of field, I’d love you forever ;) I know that a longer focal length is used for something like a close up or really zoomed image, but I don’t fully understand yet.
Thanks :)

The 18-55 zooms have become pretty much the standard kit lens for all brands. The focal lengths (i.e 18-55mm) pretty much covers the focal lengths most frequently used by the average photographer (particularly the hobbyist).

About focal lengths:

Don’t worry about the difference between the focal length of the 18-55 and your P&S. The P&S has a tiny sensor which means light only needs to be focused on a tiny spot. DSLRs generally have a bigger sensor which means longer focal lengths for a similar view, film cameras generally need even bigger focal lengths to manage similar views.

Basically focal length tells you how stongly light converges as it passes through the lens ( the more the convergence the smaller the number, the less the convergence the bigger the number). Which is why it’s not so useful as a comparison between cameras with different sensor sizes. Nowadays the focal lengths are sometimes given in equivalents of a 35mm film camera.

Oh yeah and focal length affects the apparent magnification and field of view. Here’s an explanation of focal, field of view.

http://www.dpreview.com/learn/?/key=focal+length

About depth of field:

Depth of field is rather complicated to understand unless you understand how a lens works and how focus works. I’ll try to explain it all the same. A lens can only focus on a point. Everything infront or behind that point is out of focus. Your eyes don’t have the level of detail necessary to see the tiny focus problems (which is a good thing because your eye also can only focus on a point. Just imagine walking around and only being able to see a point about 0.0000001mm thick, 1 meter ahead of you). Anyway that introduces the circle of confusion, which basically is how much out of focus things can be while you still see them as if they are in focus (ok it’s more complex than that but that’s the only thing you really need to know).

So let’s sum up what we have so far, Only a point is in focus, but when you look, you see some distance infront and behind that point as if it’s in focus, anything that is further than a certain distance from the focal point you’ll see as out of focus.

The next question is what is the distance from the focal point at which things still appear in fous. Answer, it varies. Next question, what makes it vary and how does it vary? Answer, a relation of focal length, subject distance and aperture (i.e how big the hole is). At longer focal lengths you get shallower depth of field (more stuff out of focus), shorter focal lengths give wider depth of field (more stuff in focus). Aperture is stated in f-numbers (the numbers refer to how much light the can pass through the hole). Bigger f numbers are smaller apertures and smaller f numbers are larger apertures. Larger apertures give shallower depth of field, smaller apertures give deeper depth of field. The last factor, subject distance is not that important since you can’t really change it most of the time, but it has two effects. The first is when the lens is focused on a point at say 2 meters, you have a shallower depth of field than when the lens is focused on an object at or near infinity. The second thing is the distance between the object you are focusing on and the object infront or behind it. The further away the out of focus object is from the in focus object the more out of focus it (the out of focus object) appears, and vice versa. There are a number of websites that explain this, and they have diagrams which make it easier, using google or reading the wikipedia pages will probably be easier to follow than my explanation.

About the 18-55 DA-L:

The 18-55 is definitely ok to start with. It’s not the best pentax lens you can find, but it’s cheap, covers a useful range, is small. It doesn’t really have any significant optical flaws.

The DA-L is pentax terminology and probably means something, unfortunately I’m a Nikon guy myself so I’m not to sure. From some quick googling, it appears Pentax has two 18-55mm lenses (optically they are the same, the glass and movement is exactly the same). The difference DA-L 18-55 is lighter, has a plastic mount and lacks “quickshift”* while the DA 18-55 II is slightly heavier, has a metal mount and has “quickshift”*. The DA-L is the standard pentax kit-lens.

* Quickshift means you don’t have to turn off autofocus before you can use the manual focus ring. You can just focus by turning the ring even when the camera and lens are set to autofocus.

Well I’ve tried to be as detailed as possible without making it too complicated, but after reading it myself I’m afraid I failed. It would be a pity to have completely wasted my time writing all this so I’ll post it anyway and hope you find it useful.

A Guide To Understanding Exposure in Photography


The Betterphoto Guide to Exposure


The Betterphoto Guide to Exposure


$11.84


Exposure. It’s essential to producing high-quality photographs, but mastering exposure is difficult. At last there’s a BetterPhoto guide to exposure, packed with BetterPhoto’s signature assignments, diagrams, tips, and illustrations. It’s like a full-scale photography course between the covers of the book–all taught the BetterPhoto way, just like photographers learn at the top photograph…

Remote Exposure: A Guide to Hiking and Climbing Photography (English and English Edition)


Remote Exposure: A Guide to Hiking and Climbing Photography (English and English Edition)


$17.53


Though many hikers and climbers carry cameras with them, they often come away feeling disappointed because their images fail to visually translate their experiences. In Remote Exposure Alexandre Buisse goes beyond the mere basics of photography and gives you the tools needed to create images that are not only of good technical quality but that are compelling as well. This book will guide you throu…

Michael Freeman's Perfect Exposure: The Professional's Guide to Capturing Perfect Digital Photographs


Michael Freeman’s Perfect Exposure: The Professional’s Guide to Capturing Perfect Digital Photographs


$14.19


Clear, direct and guaranteed, the perfect exposure method looks at the way professionals work, and lays out the decisions and sequences with absolute clarity, while incorporating the latest, powerful post-processing techniques. Chosing the exposure for a photograph is infinitely complex and one of photography’s most absorbing paradoxes because it affects everything in the image and its effect on t…

Polaris SPD100 Digital Exposure Meter


Polaris SPD100 Digital Exposure Meter


$168.00


Polaris SPD100 is an easy to use flash and ambient light meter. Take accurate meter readings accurate to 1/10th of an F-Stop and get good exposures every time. One of the best values in exposure meters on the market….

Polaroid 300 Instant Camera PIC-300L


Polaroid 300 Instant Camera PIC-300L


$64.99


Enjoy beautiful shots in business card-sized photos in an instant using this Polaroid camera. The Polaroid PIC-300 300 Instant Camera has four scene settings that you can choose from depending on the lighting condition. This camera also features an auto-flash that works well even in dimly-lit places, and is compatible with Polaroid 300 Instant Film. Get amazing photos in an instant with the Polaro…

Canon Speedlite 270EX II Flash for Canon SLR Cameras


Canon Speedlite 270EX II Flash for Canon SLR Cameras


$158.89


Canon 5247B002 Speedlight 270Ex Ii Flash…

Kike Calvo Photography Collection - Daylight Exposure Guide and Light Metering Aperture Table - White text on black background - Light Switch Covers - single toggle switch


Kike Calvo Photography Collection – Daylight Exposure Guide and Light Metering Aperture Table – White text on black background – Light Switch Covers – single toggle switch


$11.75


Daylight Exposure Guide and Light Metering Aperture Table – White text on black background Light Switch Cover is new and handcrafted utilizing unique process resulting in a stunning high gloss ceramic-like finish. SET OF MATCHING SCREWS IS INCLUDED giving it a perfect finishing touch. Made of durable metal material….

Kike Calvo Photography Collection - Daylight Exposure Guide and Light Metering Aperture Table - On white background - Light Switch Covers - 2 plug outlet cover


Kike Calvo Photography Collection – Daylight Exposure Guide and Light Metering Aperture Table – On white background – Light Switch Covers – 2 plug outlet cover


$13.95


Daylight Exposure Guide and Light Metering Aperture Table – On white background Light Switch Cover is new and handcrafted utilizing unique process resulting in a stunning high gloss ceramic-like finish. SET OF MATCHING SCREWS IS INCLUDED giving it a perfect finishing touch. Made of durable metal material….


Tags: , , , , , , , ,

Write a comment: